Photographer-camera-place relations: reflections on postponeomenology and landscape photography practice, Anneke de Klerk

 














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Blog Overview

What are the main written resources you have used to help you develop your work and ideas? List and give a brief summary of their relevance (publications/writers/articles/theories you have focused on over the past year): Utopia and dystopia – the ideas of perfect and imperfect world and landscapes. Desires that cannot exists, like the collaged landscapes I have created. The beauty and the sublime – what makes a place or a landscape so desirable and how the framing of a place can change how we see it. David Bate, Photography: The Key Concepts – the landscape chapter - this talks about the ideas behind the beauty and the sublime and how landscape photography can impact the way we see places Edge of a Dream, Utopia, Dystopia and contemporary Photography – The relationship between humans and nature and how we have changed nature to benefit our lifestyles. How we have made a lot of areas industrial but are now also trying to add natural elements back into our lives Utopia | Dystopia Constru...
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Artist Statement

My work is about place and building relationships between places. It is about bringing the idea of ‘paradise’ or the ‘perfect’ landscape into everyday life. Taking fragments of the places I have visited and turning them into a new place. They then become parts of a whole fragment. I have built relationships between the places in the images by placing the fragments next to each other. I have been finding ways to make these places exist in physical form as well as digitally. I have been adding depth to these flat images, because they are more than just fragments of locations placed together, they have now become their own landscape. To me each fragment of the image reminds me of a specific place and time, however other people may just see a landscape. The way they are presented either shows them as their individual fragments or as a whole fragment. This has been an exploration into bringing collaged landscapes to life.
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Nobuhiro Nakanishi

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 Nakanishis 'Layered Drawings' are some of my favourite pieces of work. To create these amazing pieces of work he will photograph and event such as a sunset over time - he will capture the process of the event. After this the photos are places onto transparent acrylic panels and hung up in chronological order. This creates an incredible experience. It looks like you are living and walking within the event. I think the size of the panels really helps to involve the audience and the way the audience can walk around and live through the event again and again, even if they weren't there originally. I think work that the viewer can live in is really interesting, you very much get lost on the work because you are surrounded by it. Being submerged into a past event. Another thing I like about Nakanishis work is the colours and the light. Because the photos are on clear acrylic the light can shine through the pieces and the colours get reflected and transferred onto the room around...
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